Mr. McCaughan spent the 1990s as the frontman of Superchunk, a rock band from Chapel Hill. At the same time, he helped found and build Merge Records. Merge began by releasing albums by Superchunk and some friends of the band. Over the years, some of their bands got pretty famous: Merge handled big releases for Neutral Milk Hotel, Spoon, M Ward, and The Arcade Fire, among others.
Do you know these bands? Spoon and The Arcade Fire both had top-ten albums on the Billboard charts this year. But you probably didn't heard them on the radio; they don't get much play.
Anyway, the Senate Commerce Committee invited Mr. McCaughan to talk about non-commercial radio at a hearing on "The Future of Radio". And his argument made sense to me.
Low-power, college, NPR and other non-commercial broadcasting enterprises are extremely important today, especially as local information and entertainment options become scarcer. Commercial radio is about aggregating the largest possible number of listeners in a targeted demographic. Community-based radio is about serving its audiences. It has the unique power and the desire to be a conduit for news and culture, and is essential to the diversity that defines cultural life in this country.
Commercial radio is an entirely artificial market. The government takes a narrow slice of bandwidth and allows people apply for licenses to use it. "Deregulation" of the airwaves is not a free-market measure. The government can easily price small operations out of business. But this is emphatically not in the public interest. It's not just music that suffers when the large conglomerates take a larger market share. Local news, opinion, sports, and culture also suffer.
This may be a moot point, as broadband wireless may soon enable people to listen to internet stations. But as long as the government has control of the available bandwidth, it needs to make room for the little guy.